Sound Particles Density for mac download free

Sound Particles Density for mac download free Patch#

The oscillators offer a number of waveforms, adding noise and rectified waves to the usual analogue shapes.

Sound Particles Density for mac download free Patch#

In addition to the main patch presets there are also presets for Arp, Pitch and Spatial settings, as well as a setting in the header bar for the output format. The Main page shows the factory presets as well as a graphical overview of the surround space, in which the different oscillator layers are represented by coloured dots. The various views are selected via tabs at the top of the page, set out as Main, Oscillator, Filter, FM, Pitch, Spatial, Arpeggiator, Effects, Extras and Matrix. Presets are also available for arpeggiator sequences and 3D movement, so you don’t have to do deep‑dive editing until you are ready. There’s also a Dice button to make random settings, with a menu that lets you lock specific aspects such as pitch, timbre or spatial settings so they won’t change as you try different random settings. The Oscillator screen provides a choice of waveforms, modulation and envelope shaping.Ī large selection of patch presets is available and these can be viewed by category. If fully immersive synth sounds don’t fit into your workflow, then you can buy the less costly SkyDust Stereo, which has all the same features other than the output format options, which in that version are limited to stereo or binaural. There are several binaural format options from which to choose, and further sub‑choices for each of those formats. Apparently the synth uses ACN/SN3D (otherwise known as AmbiX), so to use Ambisonics SkyDust 3D just needs to be placed on a DAW track that supports it. The output format can be selected to suit your monitor system from mono or stereo to a long list of almost 30 discrete surround formats up to 13.1 (and compatible with Dolby Atmos), binaural or Ambisonics, so there’s scope for creating sounds that work on headphones as well as on surround speaker systems. Each of the oscillator sources feeding into the mixer can have its own panning regime, so what you end up with is a multi‑layered sound where the various layers each move independently.

In other words, panning can be controlled by all the usual modulation sources such as envelopes, LFOs and sequencers, as well as having access to a set of preset trajectories. The unusual part is that the surround panning technology that underpins most of the existing Sound Particles plug‑ins has been integrated into the synth, so that surround pan position becomes a modulation destination. Sound Particles have arranged the GUI using tabbed sections to make accessing all these features very straightforward. There are various options for further modifying the oscillator waveforms, and also onboard effects, arpeggiators and sequencers.

The oscillators are then fed into a mixer and each layer has its own filter, modulation and envelope settings.

The synth itself uses a set of eight multi‑waveform oscillators that can either be combined in layers for analogue‑style subtractive synthesis or used individually as frequency modulation (FM) sources to modulate other oscillators. Sound Particles produce some very effective immersive sound processing software, and in their latest venture they’ve applied that technology to a synthesizer - which is apparently a world first. Sound Particles have placed 3D audio at the heart of their new soft synth.